The Ruin recommends:
Red Goddess (of this men shall know nothing)
by Hawthonn
This is a GREAT album, eerily atmospheric and well worth your time
go to albumIf you like The Ruin, you may also like:
Everywhere at the end of time
by The Caretaker
supported by 6 fans who also own “Cemetery at Aveline's Hole”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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Thee Opener Of The Way
by Primitive Knot
supported by 6 fans who also own “Cemetery at Aveline's Hole”
This sounds timeless. Not in any pathos-laden platitude bullshit way, but more in the sense that it sounds at once familiar yet otherworldly. These song structures feel archetypal, rhythms that are deeply inscribed onto one's prepersonal bodily nerves. Despite that they are difficult to place culturally, in terms of national, spiritual or artistic influence. Very enigmatic and interesting.
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supported by 6 fans who also own “Cemetery at Aveline's Hole”
Ufology is archaic prose by way of sound. It is not unlike a collection of unfiltered Brothers Grim stories, which in this case, revolve around UFO mythoses. Each passage unfolds much like folk tales told around the summer camp fire in some dense alpine forest, wearing your sense of speculation down the further you listen, until you finally start to look around your dark surroundings and up to the sky for what may or may not be there.
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Waves of Now
by Steve Roach & Robert Rich
Recorded before a live audience, these compositions leverage the strengths of two ambient masters into a hypnotic 18-track set.
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In the music of Paul Jordan, digitally manipulated field recordings become striking electronic songs that feel eerie and surreal.
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